Sunday, April 8, 2012

The Complimentary Pieces

In class we were discussing whether we preferred Romeo and Juliet or West Side Story. I believe that though there is a benefit in comparing the works, they are two completely different forms of telling a similar story and thus one is not better than the other; they are simply complementary.

One thing that I found interesting is that West Side Story happens to be a lot more specific when it comes to creating a world. Romeo and Juliet is set in 16th Century Verona; however it is easy to adapt and place this script in another location. There have been many productions that have done this, especially in modern times. A director's decision to do this could be based in the idea that it will either fortify a theme, help connect the audience with it, associate it to modern concepts, etc. This does not always work. For example, there was a production that reflected conflicts in the Middle East by making the Capulets and Montagues into Muslims and Jews. It has also inspired people to re-invent how the story is told. For example, when I mounted it, I had 8 actors play the various roles (roughly 25) and there has been a version where four Catholic schoolboys secretly play with the text as a way to explore their sexualities. This would not be possible with West Side Story. The gangs, the time period, the locations, and the characterizations are all very specific. This is due to the score, the script and the concept. There isn't anything wrong with this specificity, but it makes people know what to expect when seeing West Side Story. Audience members have expectations when seeing Shakespeare's work, but a surprise is welcome.

When it comes to theatricality, both versions are theatrical in their own respective way. Let's look at the song "Something's Coming." This is such an iconic song. In it, Tony expresses his prediction that he believes the unexpected will happen. He isn't certain and yet he is excited about it. This happens all before he meets Maria at the dance and after he has been convinced to go to the dance. In Romeo and Juliet, Romeo says words that express this same emotion at the close to Act 1 Scene 4. He hasn't met Juliet yet at the Ball, but has been convinced to attend. He says:

I fear too early, for my mind misgives
Some consequence yet hanging in the stars
Shall bitterly begin his fearful date
With this night’s revels, and expire the term
Of a despised life closed in my breast
By some vile forfeit of untimely death.
But he that hath the steerage of my course,
Direct my sail. On, lusty gentlemen. (106-113)


That poetry inspired the song. However, just because it inspired the song does not make either piece better than the other - they are two different mediums. As an actor, I would rather perform in Romeo and Juliet as I believe it allows the actor to let the text take them on an emotional roller coaster. There is excitement in performing the dances and songs in West Side Story, however I believe that the raw emotion is easier to play with in Shakespeare's text. Especially if as an actor one takes the time to observe the strong ground-working laid out for them to the most minute technical thing (ex. Romeo becomes better as speaking sonnets throughout the play). As an audience member, both shows are exhilarating and exciting in their own respective ways. As a student examining the pieces, I think it is best to note how they compliment each other and allow us to understand the other piece with greater capacity.

9 comments:

  1. I am really happy you touched on the adaptability of each story. That was something I had never really thought of before and was very interesting. That leads me to believe that because Romeo and Juliet can be reworked so easily, it would be interesting for the actor to do R+J because they can potentially explore more. This is a new thought for me because before I was so set on WSS because of the dancing!

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    1. I'm glad that you opened your mind a little towards R+J. What I find particularly interesting is that Romeo and Juliet has been done as a ballet on numerous occasions and yet dancers seem to be more attracted to West Side because of the dancing. I would love to see a production of Romeo and Juliet where they pair the ballet and the play together, especially since there has been an updated version of the ballet that has been worked on recently.

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  2. I love that you talked about the poetry. You always see the poetry in Shakespeare (duh) but I never thought about the poetry similarities in West Side!

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  3. 1) I'm glad you made the connection between 'Something's coming' with Romeo in 1.4, because I sure as heck never did.
    2) I am now curious to see Romeo and Juliet adapted to 1957 Manhattan..

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    1. I am also curious to see Romeo and Juliet set in West Side Story era... Someone must have done that at some point.

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  5. I checked out the link with the reversed roles in the play. Where the four boys played the parts? It was a really interesting article and I would have loved to have seen it! Last year I went to a performance of "Much Ado About Nothing" where they completely reversed the sexes in the show. It was FASCINATING seeing how the power dynamics shifted and how the characters assimilated their roles. It really cast a new light on femininity and what it means to be masculine as well.

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    1. Interestingly enough, the play with the four boys doing Romeo and Juliet is its own play. I love that Romeo and Juliet is able to inspire the creation of new pieces like that (and West Side Story).

      The production of "Much Ado About Nothing" that you mention would have probably been completely wonderful. I always find it is interesting to examine how each character would be completely different if they were given a different obvious trait (whether that be their age, gender, sexual orientation, financial situation, etc.). I think it places an additional layer to the piece in exploration. When I mounted the production last winter, the small cast made several of the roles into male roles being played by females. For example: Benvolio became a tomboy; Friar Lawrence became Romeo's female best friend, who was a freespirited member of the church; Tybalt was a powerful (dominatrix inspired) woman. I think the idea of exploring these different traits allows for us to realize why the playwright decided to choose upon those specific genders or whatever. It is very interesting and educational.

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  6. I never made the connection between Romeo and Juliet and Something's coming. Although I will say I much prefer the Original Broadway Cast recording over the revival (just sayin').

    You've clearly done your research Jacob, this is a wonderfully written article.

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