After reading the theatrical review of "Bursting the Grape", what caught my interest the most were the comments of attendees concerning the outdoor environment, and the likeness that the performing space had to that of original Greek theatre. The idea of being transported to another time by a performance strikes me as a very profound concept, as the performers themselves, when they achieve a truthful experience, are transported likewise away from the present day.
Upon researching further the Didiskalia theatre site, I discovered a post about natural lighting in early theatre in comparison to our "black box" techniques of modern performance. It interested me how directors and performers alike would grow familiar with the transitions of sunlight and wind patterns in their given space. This would add a whole 4th dimension to performance and I imagine it brought many new challenges as well. For instance: Medea performed in a thunder storm.
Lastly, after taking a few online live tours of ancient theatres, I realised the true wealth of performing outdoors when the scenery takes front and center stage. It is a huge sell on audiences to be able to view a set with a 0$ price tag that still remains breathtaking. Good for the budget too.
http://www.whitman.edu/theatre/theatretour/delphi/delphi.htm
I think that perhaps modern theatre should venture outside more often. Bard on the Beach is almost there, and TUTS is a perfect example of the realism brought about my natural settings, especially when it rains.
http://www.didaskalia.net/issues/8/22/
Oh thats so cool! Having natural lighting as your center lighting would feel so, well... natural lol But that would be so awesome not having lights baking your makeup to your face
ReplyDeleteOh my goodness have you seen pictures of the theatre this was performed in?!?!? Absolutley amazing, it's a garden, a theatre, and a conservation centre! Sooo beautiful! Take a look!
ReplyDeletehttp://www.designhighs.com/inflatable-architecture-2/eden_2006_night_465x349/
I agree with Sophie about the awesomeness of not having lights bake you, but I also think that the memorization of the wind patterns is particularly mind blowing because it would give you such a rush and set the mood so well!
ReplyDeleteThere are definitely some wonderful things about performing outside, several challenges as well. I think it'd be very effective to stage a show such as "The Secret Garden" or Shakespeare's "The Tempest" at an outdoor venue - You could use the surrounding nature, natural lighting and wind for added resonance. However, many of the more modern shows, which often require extensive technical work and elaborate sets, would be difficult to place outside. New challenges such as how to create weather resistant sets or how to bring technical things to the venue without ruining the outdoorsy feel would become problems that need to be addressed.
ReplyDeleteAlso, as an actor, I find it more intimidating when I can see the audience. The lights help me believe in the drama that is happening on stage and sort of suspend the outside reality.